1977.
The fibro-belt suburbs of Melbourne’s south. The names
of West German terrorists crackle through the white noise of
television news, but barely penetrate the soundtrack of the
seventies. Endless summers, mass-market pornography, sport,
and a sexual freedom precariously close, yet always just out
of reach. Only when Julian meets Martin Bernhard, a ratbag of
a kid who smokes, drinks and shoots model soldiers with his
air-rifle, does the world start to look a bit larger, and a
bit more dangerous. And once you get a passport and a plane
ticket, it seems, you can be anything you want to be.
This
is a novel of ideas, ideas that are fascinating and troubling.
The writing style is that rare combination, punchy and elegant.
You can smell the suburbs – the asphalt, the boredom
and the beer breath. There is a truth in the friendship between
Martin and Julian. It is honest, funny and bitter. It is a
real story of the petty betrayals that so many of us have
committed but are too scared to write or talk about. So we
make up lies.
There’s a lot going on in this novel and we bloody
need that; it doesn’t disappear into thin air the way
so much writing does these days. Christos
Tsiolkas
The
best novels speak the truth, literally or figuratively, and
Subtopia resonates with the stuff. A bitter truth, sure, but
one that needs airing. Subtopia is astutely observed and neatly
delivered. Full of intelligence and sensitivity, this is the
best Australian novel I've read in quite some time. Sacha
Molitorisz, Sydney
Morning Herald
The
precariousness of mental states is frighteningly imagined
by McCann. Subtopia – which takes
on so much – has the courage of its ambitions, and realises
most of them. Its range makes most contemporary Australian
fiction seem parochial. The momentum is nervous, hurried,
but sustained to the last words: Julian's benediction for
his lost companion, “already long gone, perhaps never really
there”. Intelligently alert to the politics, literature and
failed beliefs that inform his novel, McCann's is a name to
be watched. Peter Pierce, The
Bulletin
Andrew
McCann (A.L. McCann) has published extensively on British
and Australian literature in a wide range of local and international
journals. His first novel, The White Body of Evening,
was published in 2002 by HarperCollins
Australia.

Peter
Pierce reviews Subtopia in The
Bulletin
Michelle
Griffin feature in the Age
Sacha
Molitorisz reviews Subtopia in the Sydney Morning
Herald
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